Yi Huang

Information Experience Design (MA)
This is a 3D image created by the artist, showing the shape and contours of a head.
A figure representing an administrator stands with their back to the viewer, facing a vast open field. The land stretches out in straight lines toward a distant horizon.
A figure representing an administrator stands with their back to the viewer, facing a vast open field. The land stretches out in straight lines toward a distant horizon.
I Am Counting the Scars You’ve Left on Me
This image consists of four black-and-white frames, each capturing a different figure — the Administrator, the Farmer, the Invader, and the Indigenous Witness — slowly walking along the same path through a field. Presenting a sense of repetition.
This image consists of four black-and-white frames, each capturing a different figure — the Administrator, the Farmer, the Invader, and the Indigenous Witness — slowly walking along the same path through a field. Presenting a sense of repetition.
This image is composed of four black-and-white frames, showing four figures — the Administrator, the Farmer, the Invader, and the Indigenous Witness — lying on their backs in a field, embodying a intimate connection between the human body and the land.
This image is composed of four black-and-white frames, showing four figures — the Administrator, the Farmer, the Invader, and the Indigenous Witness — lying on their backs in a field, embodying a intimate connection between the human body and the land.
This image was taken inside at the BFI (British Film Institute). On the screen, a figure is shown standing in a field with their hands clasped behind their back, quietly observing the land in front of them.
This image was taken inside at the BFI (British Film Institute). On the screen, a figure is shown standing in a field with their hands clasped behind their back, quietly observing the land in front of them.
Screening at BFI
A figure representing an administrator stands with their back to the viewer, facing a vast open field. The land stretches out in straight lines toward a distant horizon.
This image consists of four black-and-white frames, each capturing a different figure — the Administrator, the Farmer, the Invader, and the Indigenous Witness — slowly walking along the same path through a field. Presenting a sense of repetition.
This image is composed of four black-and-white frames, showing four figures — the Administrator, the Farmer, the Invader, and the Indigenous Witness — lying on their backs in a field, embodying a intimate connection between the human body and the land.
This image was taken inside at the BFI (British Film Institute). On the screen, a figure is shown standing in a field with their hands clasped behind their back, quietly observing the land in front of them.

About

Yi Huang is a London-based interdisciplinary artist working across moving image, performance, sound, and site-specific installation. Rooted in ecological philosophy and body politics, her work mainly focuses on how human engagement with nature—through mechanisms of power, technology, and epistemology—gives rise to complex and often conflicted entanglements between the human and the more-than-human world.

I Am Counting the Scars You’ve Left on Me (2025)
Duration: 13′06″
This slow cinema work uses land as a metaphor for the human body, exploring how it becomes a site of control, desire, and technological intervention.

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