Yu Huang

Interior Design (MA)
YU HUANG's photo
Building exterior with transparent structure showing moving garments on conveyor belts as part of recycling display.
Building exterior with transparent structure showing moving garments on conveyor belts as part of recycling display.
A visible facade showcasing the recycling process through garment movement and conveyor tracks
Interior view showing reused stone and glass panels repurposed as partitions and garment display walls.
Interior view showing reused stone and glass panels repurposed as partitions and garment display walls.
Reused facade elements are transformed into partitions and display structures
Interior view of a retail space with modular wooden and glass units displaying second-hand clothing and accessories.
Interior view of a retail space with modular wooden and glass units displaying second-hand clothing and accessories.
Modular retail units showcasing
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FASHION HUB
Building exterior with transparent structure showing moving garments on conveyor belts as part of recycling display.
Interior view showing reused stone and glass panels repurposed as partitions and garment display walls.
Interior view of a retail space with modular wooden and glass units displaying second-hand clothing and accessories.

About

Yu Huang is a Chinese interior designer who completed her undergraduate degree in 2024 and is currently pursuing a Master’s in Interior Design at the Royal College of Art (2024–2025). Her practice is rooted in spatial sensitivity and material intuition, shaped by academic inquiry and hands-on experience with the SuperReuse platform. She sees design not merely as the arrangement of form and function, but as a poetic medium capable of holding memory, emotion, and time.

Drawn to the quiet resonance of surfaces—texture, light, and movement—she explores how space can become an emotional landscape, revealing traces of life through its material language. Her recent work centers on the intersection of reuse and narrative, treating architectural elements as vessels for stories rather than static structures. Avoiding superficial aesthetics, she builds with meaning: layering, exposing, and transforming space as a living archive of human presence.

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