Juice Cui
About
Embracing, Unravelling, and Smashing the Fantasy (2025) is a sound art installation featuring nine characteristic mask flutes and four DIY instruments, accompanied by a one-hour quadraphonic sonic experience. The work reinterprets nine well-known Western fairytales and Eastern folktales, offering an audio-driven journey that subverts nostalgic perceptions of these stories. It invites the audience to reflect on and uncover new meanings within the tales they encountered in childhood. It also encourages collective participation—inviting the audience to form a temporary ensemble and perform together.
These fairytales—The Deer of Nine Colours, Hua Mulan, The Magic Flute, The Nutcracker, The Little Mermaid, The Red Shoes, Pinocchio, and The Nightingale and the Rose—respectively represent compassion, valour, enlightenment, imagination, sacrifice, obsession, curiosity, transformation, and devotion in human nature. Together, they form a rich tapestry of cultural diversity, moral insight, and philosophical depth, rooted in their original contexts.
Clay, with its fragile and earthy nature, plays a central role in the work, symbolizing both vulnerability and transformation. One of the clay mask flutes was unfortunately smashed during the display; when I spliced the fragments together, it became an act of reconstruction—of reimagining rather than repairing. This gesture of breaking and remaking underscores the work’s central provocation: that fairytales are not immutable, but living cultural forms, always capable of being reshaped.
Inspired by “Je ne veux pas que la vie se mette à avoir d’autres volontés que les miennes” by Simone de Beauvoir, Dasseinzumtode (2025) is an extended performative version of Embracing, Unravelling, and Smashing the Fantasy (2025), is a contemporary dance performance that reconstructs the endings of fairytales, using sonic world-building as its core methodology.
The speculative experience unfolds like a deciphering game. The audience follows in the footsteps of the wizard, played by Juice, repeatedly turning “the wheel of fate” and entering the Six Paths of Reincarnation. The Three Good Paths are: Heaven (Tiān 道), Human (Rén 道), and Asura (Āxiūluó 道). The Three Evil Paths are: Hell (Dìyù 道), Hungry Ghost (Èguǐ 道), and Animal (Chùshēng 道).
Within these realms, the audience encounters fairytale characters who have been reborn. Though they may still carry memories of their previous fates or archetypes, they are no longer flat archetypes. They have become multidimensional, vivid—like us, grounded in reality. Each character ultimately discovers their true self and moves, with awareness, toward death or alive.
Content Warning
The content on this website may contain themes and materials that some users find distressing or offensive. Further, the content on this website may not be suitable for individuals under the age of 18. User discretion is advised.
Any views and opinions expressed in this student profile represent the views and opinions of the student and do not necessarily represent the views or opinions of the Royal College of Art or its employees or affiliates. The appearance of any views or opinions on this page do not constitute endorsement of those views by the Royal College of Art. This student profile has been made available for informational purposes only. The Royal College of Art does not make any representations or warranties with regard to the accuracy of any information provided in this student profile, nor does it warrant the performance, effectiveness or applicability of any listed or linked sites. The Royal College of Art is not responsible for the content submitted by any user, or for the defamatory, offensive or illegal conduct of any user. If you wish to report any errors or inappropriate material that may cause offence, please email feedback@rca.ac.uk