Bernice Wong

Visual Communication (MA)
An asian girl with short, red hair looking at the camera with a faint smile
A spread of several risograph-printed booklets, consisting of a booklet with cyan lettering on a white page, a booklet of red graphics on pink paper, a card of red ink on yellow paper, and two booklets of red and blue ink on white paper
A spread of several risograph-printed booklets, consisting of a booklet with cyan lettering on a white page, a booklet of red graphics on pink paper, a card of red ink on yellow paper, and two booklets of red and blue ink on white paper
I Choose Music Without a Score (ICMWS) (2025) — Collection of Booklets
A pair of hands holding a risograph-printed booklet, containing flourescent pink typography on a white page
A pair of hands holding a risograph-printed booklet, containing flourescent pink typography on a white page
I Choose Music Without a Score (ICMWS) (2025) — Main Booklet
A large interactive sheet on a wooden platform low to the ground, consisting of blue symbols and lines
A large interactive sheet on a wooden platform low to the ground, consisting of blue symbols and lines
Then Metamorphose (2025)
A hand placing an interactive card into a turquoise book box
A hand placing an interactive card into a turquoise book box
Then Metamorphose (2025) — Interactive Response Cards, Book Box
A spread of several risograph-printed booklets, consisting of a booklet with cyan lettering on a white page, a booklet of red graphics on pink paper, a card of red ink on yellow paper, and two booklets of red and blue ink on white paper
A pair of hands holding a risograph-printed booklet, containing flourescent pink typography on a white page
A large interactive sheet on a wooden platform low to the ground, consisting of blue symbols and lines
A hand placing an interactive card into a turquoise book box

About

Bernice Wong is a designer and illustrator with a practice in branding, illustration, motion and experiential design. Working across diverse visual styles, her central goal is transporting the viewer — removing them from their routine and creating a safe, focused moment to pause, breathe and enjoy.

Through research and reflection, her work explores the influence of invisible systems through an alternative lens. Combining a love for lettering and graphic symbols with a keen eye for colour, she constantly expands her playground for visual, spatial and interactive storytelling.

In her MA thesis project, two final pieces operate in tandem to challenge the predetermined routines and structures of written language. I Choose Music Without a Score (ICMWS) presents a hypothetical typographic language, inviting introspection on how language is constrained and its capacity for reinvention. Then Metamorphose sparks collaborative interaction and participatory meaning-making. As participants move two translucent sheets, they are invited to capture the emerging forms as new linguistic symbols on interactive cards.

Content Warning

The content on this website may contain themes and materials that some users find distressing or offensive. Further, the content on this website may not be suitable for individuals under the age of 18. User discretion is advised.

Any views and opinions expressed in this student profile represent the views and opinions of the student and do not necessarily represent the views or opinions of the Royal College of Art or its employees or affiliates. The appearance of any views or opinions on this page do not constitute endorsement of those views by the Royal College of Art. This student profile has been made available for informational purposes only. The Royal College of Art does not make any representations or warranties with regard to the accuracy of any information provided in this student profile, nor does it warrant the performance, effectiveness or applicability of any listed or linked sites. The Royal College of Art is not responsible for the content submitted by any user, or for the defamatory, offensive or illegal conduct of any user. If you wish to report any errors or inappropriate material that may cause offence, please email feedback@rca.ac.uk 

To opt out >