Graduate Diploma 24/25

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A chair encrusted with translucent salt crystals. The surface appears uneven and organic, with jagged formations covering the seat, legs, and backrest. The chair has a weathered, geological feel as if it emerged from a natural process rather than human construction. It rests in a minimal setting, allowing its crystalline textures to stand out. Ritika Khurana
I grew up working in the fields with my family. I remember the texture of the soil, the hot sunlight, the weight of heavy tools, and the soft touch of grass with my whole body. These sensations are not just images, but the language and memory of the senses that remain in the body. Where have the memories of our fingertips gone? Yiyeon Kim
Interactive installation Atahualpa de la Rosa
Blackberry with videos on speculative work Xiang Yun Ng
p yve yeoeun
Arm wearing a large variety of bracelets over a white studio background. Ines Yan Mei Ng
ALP 1 Mario Siso
Installation photo of Rabah Kamal's “Jaliyan (For Hossam)," which shows six wooden latticeworks depicting words and images, suspended against a black backdrop. Rabah Kamal
Abstract Painting Blue and Red Inspired by Dufy Carla Hendra
Framed artwork featuring a dense constellation-like pattern of gum stains on a black background, resembling stars or galaxies, displayed against a light gray wall. Do Yeop Kwon
Covers a Multitudes of Sins Gabrielle Jo
Hardware manual, 2025, fanzine Marie-Jeanne
Picture of soot scattered across a piece of paper, looking like a landscape or seascape. Tom van der Klugt
an image of my self in front of a poster of myself Sani Sani-Mohammed
Masked of the socialised self Fazil Maniar
Lily Atkinson Lily Atkinson
"Confluence Coincidence Convergence" is a triptych by Benedicte de Nonneville. It is a gestural artwork that explores the spontaneous intersections of thought, emotion, and movement. The work captures a state of mind shaped by intuition and serendipity. Influenced by asemic writing and the expressive mark-making of Cy Twombly, the artwork suggests a language beyond words, where meaning is felt rather than read. The title reflects both the accidental and the intentional, a delicate balance between control and release. Inspired by Rothko's chapel, it transforms into an immersive, almost architectural presence. This spatial interaction deepens the viewer's engagement, turning the act of looking into a personal, reflective experience. Benedicte de Nonneville
A cocoon-like hanging sculpture made of layered white fabrics, pattern paper, and textured lace, with sections of golden wax-like material(Latex). The organic form resembles a protective shell or chrysalis, suspended against a neutral wall. Jimin Im
A collage of images showing transformation from bag to skirt and scarf and top on two people Moukthika Pinnamreddy
She swallowed my shadow, acrylic on canvas, 90× 80 cm, 2025, Aigerim Argin
Vivaan Singh Thongram Vivaan Singh Thongram
A professionally photographed painting on wood, depicting a blurred, fragmented representation of a female subject (self-portraiture) Elisabeth Bukenberger
Plaster mould of spoons on a pale purple background Seyoung Lee
Photo of mixed media work 'My Ode to Chile' by Mai Ly Torres Baker, 2025. Mai Ly Torres Baker
Bittersweet Series (I–IV), 2025, Installation, Mixed media, 188 × 110 × 100 cm (each) Donghyeon Kim (Raon)
Monsoon Green, 80 x 60cm, Oil on canvas Hanna Kojima Boyd
AI Generated. Woman in frayed dress against a serene lake background. Caroline Kavanagh
Culture Chutney Koushani Datta
“I discover interesting text and labels by deconstructing food packaging. Considering both the original purpose of the labels and the added meaning created through sewing them together, I try to guide viewers in reading these necklaces, with phrases like ‘Honey Honey crisp,’ ‘Net WT. 4 lbs,’ and ‘Calories 200.’ I also deliberately keep my work ambiguous and open, aiming to provoke diverse interpretations and imagination. I named these necklaces, made from trash, ‘Jewelry’ to explore consumerism and exploitation.” Wenjie Feng
an abstract oil painting Jo Zizhou Wang
A neon pink canvas with a self-portrait of Maia on it. She covers her eyes from a bright light and a bluebird that flies in her face. Maia Rakovic
'We Are All Entangled, 2025' - 180cm x 160cm - Mohair and wool, woven Holly Hallawell
Made while listening to voice recordings of my Mum in hospital, some months before her death and my daughter and I in conversation I trace and sense the relational and shifting identities and beliefs present in the tones, rhythms and narratives of the recordings, strength, doubt, anxiety, peace, and a reflective energy intermingle as they do in life. This form of expanded self portrait is not a singular identity but a site of encounter, a shared space between mother and daughters across three generations and more. Maeve Martin
An image of a handmade lamp made using found, discarded and disposable materials Lakshmi Priya Pillai
'Canvas of Confusion', mixed media collage on a black angled display stand. Features a self-portrait of the artist (woman) with long wavy hair, wearing a sleeveless very dark blue top with a white floral pattern. Surrounding the portrait are layered paper collages, painted textures in neutral tones, abstract shapes, what appear to be currency notes, and cloud-like brushstrokes. At the top, a blue-tinted paper strip with partially visible text 'BRUSTR'. Manisha Puri
Studio portrait Tega Akpokona
Installation by Abi Joy Samuel featuring a found textile retrieved from a London canal, with the artist walking behind in motion wearing black protective gloves Abi Joy Samuel
hairclip covered in pink beads Anna Robinson
This project is an experimental object and video work that visualizes the ironic cycle in which the plastics we mindlessly consume and discard eventually return to our lives. Eunji Lee
This photograph was taken through a filter made from discarded glass bottles to simulate varying degrees of visual impairment, reflecting the complexity of glaucoma and its interaction with light. Yichu Chien
"An Instant Beyond Order", this piece by Shengxi SHI combines mother-of-pearl inlaying techniques with lace to depict the sunset and clouds, aiming to express the influence of the "moment" within the "eternal". Shengxi Shi
GIFs, Reusability, Waste Materials, Characters, Discarded Objects, Sustainability Abhay Shenoy
Escape 3..2..1! Sameera Seraj
Bold Mix Media Michelle Mwikali
a painting Giorgia De Stefano
print of two people in club Calder Mackay
"Lost Letters." Acrylic Paint on 380g Stretched canvas 36 x 61in Leyla Pooya Khan
Mo Shi's exhibition Mo Shi
'Pookie The Generic Dog' (2024) - Rug 1150mm x 830mm Faux fur, fleece, felt, air dry clay with acrylic paint and plastic (eyes) Hand stitched dog shaped rug with the words the only guarantee in life is death and taxes Din Brandt
section of a painting featuring rabbits, face profile, overlapping body parts, ambigous lines and contours,various colours like orange, blue, yello, purple, dark brown, light brown. Sheen Ochavez
A picture of envelopes with images printed on them Igor Prato Luna
objects made from clay on a flat board, painted in dull colours, with a branches that create a circle, filled with yellow Klara Fokicheva
Condololence. Lamo, 2024, Oil paint on Faux leather, wood, rope, 120 x 56 cm Kyungmin Nam
bubble gum face artist portrait one eye open anthony bennett
Printed road (A0) sheet draped over an office chair, on a table Alma Stritt
Load-Runner Industrial Mule Gaurav Kharat
metal figure of a female dancing body with many limbs and heads as if in motion with colourful bubbles on the head COSIMA
A child holds a pistol towards the camera. His face resembles a state of indifference. Robert “RT” Magnus Thompson
A tactile exchange. A Time-capsule can be used to imagine a future where the viewer may have found it, and are reading back to our current moment in time. Nature takes on a subliminal space, with only two specific locations named. People are invited to suspend disbelief and imagine their own connection to nature, and how digitization over the past twenty years has impacted this. It could inspire more people getting involved in the natural environment, see this Time Capsule as nature coming to them, or just use it as a vessel for discussing the now. Each book is designed to feel like loose objects inside of a box you are unraveling, like in a real Time-capsule. Each book has its own visual identity based on my own perception of that space, for example ‘Dear Future.’ is colourful, other-worldly and toxic, suggesting fears for the future of our planet. Isabel (Izzy) Plant